Affichage des articles dont le libellé est Polska. Afficher tous les articles
Affichage des articles dont le libellé est Polska. Afficher tous les articles

vendredi 11 septembre 2015

History - Poland at Expo 1935 Brussels


This pavilion of Poland was designed by the engineer Damman. It occupies an area of 800 m². The artistic direction of all interior decoration was entrusted to Thaddeus Gronowsky. It was Georges Vaxelaire (writer, diplomat and Belgian businessman) who is the commissioner general of the pavilion.

It has a central hall and six side rooms, plus an office of information occupying a room behind the central hall.

Marechal Pilsudski bust.

One of them is intended to illustrate the hunting in Poland.
It contains many rare and rich hunting trophies constituting European records.

The second room shows the development of agriculture and the agricultural industry in Poland.

The third is dedicated to the Polish industries.

To the right of the Hall, three other rooms. The first is devoted to the Polish port of Gdynia, founded in 1924 and whose prodigious development sets was a real technical record.

The second right room contains a very interesting material on tourism in Poland, while the last is devoted to the problems of communication in Poland. Note locomotives and wagons models, products of major Polish industries.


Guide et Livre d'Or Expo 1935 Bruxelles

Polish pavilion at Expo 2015 Milano... a Magical Garden.



Magical Garden.
The pavilion of Poland is both simple and singular. A simple shape like a big box, made with apple crates! Why not…

 
A long staircase lead us to a magic garden, which occupies the entire area of the terrace of the pavilion. The atmosphere is all the more strange that this garden is surrounded by mirrored walls, which reflect the infinite nature of the place, the vegetation and the Polish apple orchard. We then descend into the exhibition spaces, which remind us of the history of the country, the country, promotion and rural traditions still very important, with of course, interactive installations for a complete experience.


 
To complete the visit, not missing a small detour to the restaurant with a romantic atmosphere ... and the shop.

The stamp published by the Polish Post refers to the logo pavilion "#Poland" architecture of the pavilion and crates pommes.Le block has seven typical Polish fruit: raspberry, blackberry, apple, gooseberry, blackcurrant, blueberry and strawberry.



Poland pavilion : Site - Facebook - Twitter

The Pavilion Architecture
Poland’s Pavilion project was created by studio 2PM, belonging to the up-and-coming Polish architect Piotr Musiałowski, and its originality and surprising form is a clear response to the theme of Expo Milano 2015, Feeding the Planet, Energy for Life.

Eco-design
The Pavilion has a simple, rectangular form whose external look is outlined by wooden boxes. As for the building, it is treated as a large-scale box (or casket) in its entirety, hiding valuable "gems" within its interior spaces. The openwork structure refers to the ecological and simple form of apple boxes.

Magical Garden
One of the attractions of the Pavilion is its magical garden. The winning design relates to one of Poland’s top agricultural exports - apples. Piotr Musiałowski, leading the architectural team, during the conceptualization of the Pavilion, sought to create a symbolic maze, with a magical garden as its focal point – a Polish orchard, full of apple trees. The hidden garden becomes a place to relax on the other side of the mirror. An apple orchard reflected in infinite space is clearly associated with the Polish agriculture.

Polish Marché
On the piazza in front of the Pavilion will be featured scenery that combine to represent a solid "kaleidoscope" art installation, where visitors are drawn in, leaving the Decumano to visit the Pavilion. Encouraged by its many attractions, vistors can see the Polish Marchés – and discover the "mysterious gap" at the entrance to Poland’s Pavilion.


A path of discovery
Along the corridor that leads to the first floor of the Pavilion, visitors can discover a "nearby Poland." On the first floor, visitors come to a magical garden symbolizing an unusual and intriguing Poland and through its center follow a narrow, winding path interspersed at irregular intervals by apple trees. The reflection of trees in the mirrors creates the illusion of a vast and infinite space, thus emphasizing the magical atmosphere of the space.

From the garden, visitors pass directly to the next exhibition space, filled by the art installation of a giant apple containing a modern, colorful bas-relief depicting another part of the exhibition. On leaving the "apple" installation visitors are guided down to the ground floor of the Pavilion where the story of Poland’s economic success continues with animated graphics and projections.

Another part of the exhibition is devoted to the regions, promoting them and the use of rural land. The path leads the visitor to a cinema, in which a set of videos promoting the economy and culture of Poland. An interactive installation using modern ICT Technologies ensures that visitors enjoy a long-lasting and memorable experience.
 


On leaving this interactive and fun space, visitors can find an on-site store where they can browse through Poland’s regional products and top exports exhibited in designer showcases and taste regional, traditional produce. The last attraction of the Pavilion is a restaurant in which visitors can taste delicious Polish cuisine in a romantic and pleasant setting that certainly makes this one of the best and most relaxing places to be.

vendredi 6 février 2015

History - Poland at New York 1939 World's Fair



POLAND in New York !




THE POLISH PAVILION (Jan Cybulski and Jan Galinowski, architects; Cross & Cross, associate architects), with its tower rising high above the main entrance on Continental Avenue, presents the story of Poland as she is today and as she intends to be in the future-an active, vigorous member of the family of nations.



Entering the building, you see a Court of Honor in which a bronze monument of Marshal Pilsudski and an exhibit of original documents executed by Polish kings stress the democratic traditions of the republic. Another section of the Court portrays the country's participation in the development of America, beginning with the arrival of the first Polish immigrants in 1608 and the participation of Polish soldiers in the American Revolution.
 
 


From the Court of Honor you pass . into the Hall of Science, where more than 200 inventions of Polish origin are displayed.




The Republic's maritime development is depicted in another section, where two dioramas show the seaport  Gdynia as a small fishing village in 1921 and as it is today-a modern seaport of 130,000 inhabitants. Illuminated maps and charts show the development of the Polish merchant marine.



Monument to the polish king Wladyslaw Jagiello.




In a Polish fashion display, eight models demonstrate ladies' wear designed and produced in Poland. The Exhibit includes natural silk grown in that country and the latest pattern for fabrics of native design.




Occupying a separate building adjoining the main pavilion, a modern bar, a popular tavern, a terrace cafe and a de luxe restaurant provide a gourmet's paradise. The bar features 400 different kinds of hors-d’œuvres, Polish zakaski, rare Polish honey wine, and a dozen different kinds of vodka.




jeudi 29 janvier 2015

Move your imagination... with Poland pavilion...

A very nice video proposed by Poland pavilion at Expo 2015 Milano...

POLSKA – Come and find your culinar story
by Polish Tourist Organisation/Polska Organizacja Turystyczna




https://www.youtube.com/watch?v=StW_iZpW4Co

lundi 15 décembre 2014

History - The Pavilion of Poland, in the Exposition of Decorative Arts in Paris 1925

Photo Gaël Limpalaer  http://vestiges-expositions.fr.gd/

In the gardens of the Polish Embassy in Paris is a remnant of the Decorative Arts Exposition in Paris in 1925. He is the statue "Rytm" by Henryk Kuna, which was presented in the pavilion of Poland, Cours-la-Reine, near the Place de la Concorde.



Here are some additional information on this statue and the pavilion, thanks to information from the magazine "Art et Decoration" in 1925:

In the art of world nations too uniform, I would almost standardized by modern life that is becoming increasingly international, Polish art retains a freshness and color that are his own.

Whether the Polish national pavilion erected on the Cours-la-Reine, interiors exposed to the Invalides, products of folk art grouped at the Grand Palais mezzanine, various art objects gathered here or to the class of Education, found everywhere deep marks of the genius of a race which, placed at the crossing point in Europe of Eastern and Western influences, was able to draw from these crosses a particular style, a strictly Polish style.


Pavilion court of the Polish Republic
Marble statue by Henry Kuna - Wall Art by A. Jastrzebowski.

Poland has managed to keep it intact during its turbulent history, and since the war, seen safely undergo the most modern influences, even those of Cubism, without losing its original flavor.

The Polish national pavilion is the best example we can give of how to combine and blend these influences.


Pavilion court of the Polish Republic
Marble statue by Henry Kuna.


The architect Joseph Czakowski has designed the bold plan and crowned this beautiful iron and glass lantern stands his arrow at 23 meters high and reflects the country's aspirations towards clarity, light and independence .dropoff window

The marble statue of Henri Kuna who from the threshold, symbolizes the rhythm in art, stained glass Joseph Mehoffer intended to Warsaw Cathedral, illuminating the two side rooms after the vestibule decorating octagonal honor based on beautiful wooden carved oak columns, murals Sophie Stryjenska who expressed with wonderful intensity Polish life unfolding through the twelve months of the year, the woodwork of this room executed by the famous school Zapokane finally the workroom and lounge designed to serve as an official character, with furniture, bronzes, its upholstery fabrics and drapery, its copper objects (lamps and wall) and decorative tapestries all this is a perfect set that might have absolved Poland from any further participation in the Exhibition.
Current trends of his art clearly read it.

Pavilion of the Polish Republic
Architecture of Joseph Czajkowski - Paintings by Sophie Stryjenska.
Bench designed by Charles Sryjenski executed by Martens and Daab - Wood executed by Rudolph brothers.